- brown #6F4A2F
- cream #F2E8CF
Brown and cream
Neutral base High contrast
Cream is a white with some warmth in it, so it lifts brown without the glare pure white brings to an earthy color. The light-dark gap is wide enough to look clean, and the shared warmth keeps the pair soft.
When to wear it: A cream cable knit with brown cords in fall, a cream silk blouse under a brown suede jacket, or brown linen pants with a cream tee on a summer evening.
What to avoid: Cream that has yellowed with washing looks grubby against brown, so keep the light piece fresh. Bluish, very cool whites lose the softness this pairing is worn for.
Suits: Warm AutumnDeep AutumnSoft Autumn
- brown #6F4A2F
- light blue #A8C8E8
Brown and light blue
Opposites on the color wheel High contrast
Brown is a darkened orange and light blue a pale blue, so the two sit on opposite sides of the wheel and each pulls the other's color forward. The pale blue also brings the brightness brown lacks, which keeps a brown outfit from feeling heavy.
When to wear it: A light blue shirt with a brown suit or brown wool slacks is a smart office choice from fall into spring. More casually, wear a pale blue oxford with brown chinos and suede desert boots, or a light blue knit with a brown skirt.
What to avoid: Half light blue and half brown splits the body into two blocks. Keep the blue near your face and the brown below it, or frame a blue shirt with a brown jacket, so one color clearly leads.
Suits: Soft SummerDeep Winter
- brown #6F4A2F
- tan #D2B48C
Brown and tan
Tonal: one color, light and dark High contrast
Tan is brown with plenty of light added, so the pair is one hue at two depths. The step between them is big enough to show, which makes a brown-on-brown outfit look planned, not accidental.
When to wear it: Tan chinos with a brown knit polo, a brown dress under a tan trench coat, tan suede loafers with brown flannel pants. It is a natural look for fall and early spring, best in matte fabrics such as suede, wool and cotton twill.
What to avoid: Two browns of almost the same depth look like a failed match. Keep a clear jump between them, and if a third brown joins, put it at the feet or the belt, away from the middle of the outfit.
Suits: Warm AutumnSoft AutumnDeep Autumn
- brown #6F4A2F
- olive green #708238
Brown and olive green
Contrasting hues Low contrast
Olive is a dark, yellowish green and brown a dark orange, two hues that sit well apart on the wheel. Both are muted and earthy, though, so the contrast stays quiet and the pair takes on the relaxed, outdoorsy look of workwear and field jackets.
When to wear it: An olive field jacket over a brown sweater, olive cargo pants with brown leather boots and belt, a brown corduroy shirt with olive chinos. It suits weekends, trips to the country and travel days, mostly in fall and winter.
What to avoid: The two sit at a similar depth, so on their own they can look drab or swampy. Add one light piece, such as a cream tee or an ivory shirt, to give the outfit an edge, and keep shiny or bright greens out of it.
Suits: Warm AutumnDeep AutumnSoft Autumn
- brown #6F4A2F
- dusty rose #C9939B
Brown and dusty rose
Neutral base Medium contrast
Here brown is the base and dusty rose the color. A muted pink carries a little warmth of its own, so it softens brown instead of fighting it, and brown makes the pink look more grown-up than it would beside white.
When to wear it: A dusty rose blouse with a brown skirt or pants, a brown leather jacket over a rose slip dress, or a rose knit with brown boots in early spring. It suits dinners, gallery visits and relaxed office days.
What to avoid: A sugary candy pink looks childish beside brown; the pink needs some grey in it. Keep brown the larger area and rose the accent, or the outfit loses its base.
Suits: Soft AutumnSoft SummerDeep Winter